![]() However, a more typical case is perhaps the jazz/classical cellist, Zoe Keating, who is continually underwhelmed by her annual royalty statement from Spotify–now the largest streamer in the music business. Swift has obviously done well with Big Machine, but she wants more control of what and where she performs. The big music groups that own the labels are often seen as taking over copyrights representing the labor of their very human musical “partners,” only to fail to deliver the promotion and success they promised in exchange. It seems like it has always been that way at least since the days of Napster. In addition, music lovers also love to hate record labels. And it’s certainly easier to admire her as a performer than a relatively faceless investment firm, the Carlyle Group, which has an interest in Big Machine. Official music video by Taylor Swift performing “The Man” – off her album ‘Lover.’ Stream/Download the album here: ►Subscr… In the meantime, she’s released a music video to torment her music-mogul opponents, Scooter Braun and Scott Borchetta. But now, buying back the rights to her music outright–if she succeeds–with probably run into a few hundred million dollars. With some justification her label argues that they invested heavily in her when she was a young teen starting out. They own her masters and the copyrights to most of her older music, and she wants them back. Taylor Swift has recently been doing battle with her record label and publisher, Big Machine. It’s little wonder that the legendary Quincy Jones–the composer, musician and world-class producer–thinks of the business side of his work as a “disaster.” And the tip will be a matter of contention.Īll of these is both a surprise and a disappointment, since music remains one of the happier experiences of living our lives. Think of a restaurant you’ve stumbled into where it turns out that all of the staff are trained in intellectual property litigation. But it is clearly not for the faint of heart. It’s an enviable goal to build a career in music. No wonder there has been a spate of recent stories about the questionable mental health of musicians trying to survive within the music industry. And you could be in even more hot water for not clearing the song with the publisher, a record company, or the performance rights organization that represents the songwriter. Research on a book project has recently taken me to the far and cavernous precincts of music licensing, with topics like copyrighting songs, payment to play music in businesses, and collecting royalties from others who perform ‘covers.’ I have only one word for the experience of wading in to this byzantine subject: Yikes! My advice is that if you have the urge to sing in the shower, for your own good it would be good to do it sotto voce. Get ready to argue over the amount of the tip. ![]() Think of a restaurant you’ve stumbled in to where it turns out that all of the staff are trained in intellectual property litigation. Gary Clark Jr.MGM-Sony-Streisand Scoring Stage in Los Angeles Everything Is Broken (Live with Jason Isbell at The Ryman).The Difficult Kind (Live with Sarah McLachlan).Crow has been feted by a new generation of singer-songwriters who have covered her songs and talked about her influence, including Phoebe Bridgers, H.E.R, Haim, Maren Morris, Lorde, Sasami, Best Coast, and Brandi Carlile. Her first nine studio albums have sold 35 million copies worldwide seven charted in the Top 10, and five were certified for Multi-Platinum sales. Sheryl Crow is a nine-time GRAMMY AWARD recipient and an American music icon. It was a journey through years and years of incredible memories, and I am proud of the beautiful documentary that Amy Scott made about my life.” “I hope people will find strength and courage through my story. “I am excited for the premiere of my documentary,” said Crow. To preorder Sheryl: Music From The Feature Documentary, click HERE The release features Sheryl Crow’s biggest hits, including “If It Makes You Happy,” “Soak Up The Sun, “All I Wanna Do, “My Favorite Mistake, “Redemption Day,” and many more, as well as deep tracks and three newly recorded songs. In conjunction, UMe/Big Machine Records will release a new album called Sheryl: Music From The Feature Documentary digitally and on 2CD on May 6. An intimate story of song and sacrifice, Sheryl navigates an iconic yet arduous musical career while the artist battles sexism, ageism, depression, cancer, and the price of fame, before harnessing the power of her gift. On March 11, a full-length documentary film directed by Amy Scott, entitled Sheryl about the singer-songwriter’s life and career, will premiere at SXSW, ahead of a spring premiere on SHOWTIME.
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